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Yet as Julija walks from the water, we still get a shot of her situated between Ana and Pjero, arms around each other to indicate the physical intimacy between the two. Ana and Pjero are on the rocks, situated at an angle even higher than the previous example. By now, they have all shifted to another location, and this time it would be Julija would be in the water. The trick would be repeated later in the story. Just in case you missed that one, Kusijanović makes sure that this is a flag that does not go unnoticed. We cut to behind the girls, with the focus fixed on Pjero in between the two, indicating how (at least in the immediate context of the story) he has unwittingly come between the two childhood friends, keeping them from truly reconnecting as they once did. He’s standing in the water, smiling at them. In particular, I am a fan of how the visual elements have been arranged to create some literal, yet underlying meaning.įor instance, in scenes where they all are by the lake, Ana and Julija are looking at Pjero. Columbia University, from which Kusijanović graduated, can get a lot of good press from this to a point, it may have been helpful in hammering home how the visual language of film could and should be utilised in the delivery of meaning. The film is an incredibly pleasant one to watch. Let’s discuss the first things I noted throughout the first viewing.
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In this case, however, I find that further viewings (separated by weeks and months apart, I hasten to add) leads us further down the rabbit hole. One and done, as someone may be wont to say. For the most part, I am happy watching short films once. That is the first quality I noted in ‘Into the Blue’. What is less predictable is the deeper meaning that is connoted, one that reveals itself further upon repeat viewings. At least, that is the more predictably part, so to speak, as Kusijanović and her team attempt to encompass much of life’s bigger questions to be denoted within a shorter diegetic timeframe. Certainly for fans of the genre, this is a narrative triangle that is a familiar trope to coming of age stories that forms much of the bread and butter of this category. You can probably tell how the rest of the story will unfold, I believe. Though at first it may seem like an easy one to reestablish, theirs is a relationship complicated by the presence of Pjero (Dominik Duzdevic). Here, as they attempt to flee an abusive present, Julija is keen to reconnect with her childhood friend, Ana (Vanesa Vidakovic Natrlin). It tells the story of Julija (Gracija Filipovic), a thirteen year-old who returns her mother (Natasa Dangubic) to the island where she had grown up. Fikri Jermadi leaves the shallow end of the pool to ruminate over Antoneta Alamat Kusijanović’s deep dive.Īt first glance, ‘Into The Blue’ is a short film which provides a relatively run-of-the-mill affair.